Sam Ayers Online: 'The Basement'

Taking place in 1969, this original one act play explores the lives and plight of musicians who hang out at the L.A. Local 47 Union club room/basement, waiting for calls for gigs. An era when the raw talent of working musicians was being overidden by quickly growing technology, and music and union guidelines were in transition, questions of "money versus art" are raised. Harshly realistic, we peek into the lives of these colorful characters as they interact, debate and reflect. All of their passions, fears, dreams and personal issues unfold before us.

Written with research and undeniable heart by Shari Doran and K.W. Miller, although there were some wonderful moments, somehow this script was missing something. The unexplainable deeper link that inspires us to really care about the characters, and a start to finish dynamic, wavers here. Also, the 13 blackouts between scenes is distracting, and interrupts the flow repeatedly. A great concept, of interest to many people, this script would benefit greatly from a bit of re-writing.

That said, oddly enough the performances, under the skilled hand of director Gregory Serrao Bach, are very good! Both of the playwrights, in two of the lead roles, give strongly touching performances. K.W. Miller as the younger pianist with modern ideas about the biz (Jake), and Shari Doran as Billie, a singer for hire, takes us to the heart of the matter. Enjoyed the live song performances too - this gal can really sing! Also excellent work offered by Sam Ayers, as the salty, life toughened union booker, and Michael Gregory, as the womanizing Stu. (You'll recognize these two actors from many TV roles). Rounding out the fine leading roles are Rashawn Underdue as a black musician facing prejudices, and Blumen Young as the whimsical Early Day. Strong cameo spot by Santini Vizzini as the tough talkin' money man. Also in small but pivotal parts are: Dominic Daniel, Ann Manning, Misty La Vina and Sarah Girdis.

Nice touch: The live offstage sax playing of Dave Victorino throughout the play. Effective, funky and functional basement set by Thomas A. Brown and Gregory Bach, 1960's costumes by Roxanne Dungereaux, and lighting by James L. Moody.

Running though August 10 at the charming and intimate 24-seat Theatre Shed, 10806 Ventura Blvd. (enter from alley) in Studio City. For seats and times, call (818) 768-4053. (A bargain in live theatre at only $12).